About Red River Breeze....

Red River Breeze plays a mixture of traditional Celtic, Renaissance, and World folk music. The music is typically acoustic instrumental with the occasional vocal tune. The group is based in Clarksville, TN and has been in existence since 1999 under the leadership of Stephanie Taylor.

Thursday, December 19, 2024

Recording Generations!

Recording Generations was a year long adventure for us!  Once we as a group had decided on what tune sets we wanted to put on this album and had several rehearsals to work out arrangements and such, David and I (Stephanie), made several Saturday trips to the studio (The Attic) in Nashville in August and September of last year (2023) to lay down the hammered dulcimer and guitar tracks.  The Attic studio is our recording engineer's (Greg Magers) studio.  Greg has recorded every album since Morgan Song for us - which all the albums we are still offering for sale. (The first album, Friday Night Favorites, which was recorded in the band's very early days and was rather primitive, is no longer for sale!)  

Over the year, we went into the studio in groups of 2 to record everyone's individual tracks, and playing along with what what was already recorded y hearing in headphones. The next two to record after Stephanie and David were Melanie and Michaela,followed by Toby, Nate (unfortunately no pictures exist of Nate - Sorry!), and Kim for the bonus track, Gloomy Winter.  

Greg edited and mixed as we progressed and as he always does, provided great recommendations on tweaks and mixes!   We do call him our invisible 7th member!

Then off for mastering, album cover photos by David, album design by Stephanie, and submitted to diskmakers for production.  Whew - the album arrived early December, just in time for our December gigs!

This is the first album that Toby, Michaela, and Nate are on.  And they absolutely rocked their recording sessions.   This is an album that we are all super proud of!

David in the iso booth
David, recording in the isolation room

The hammered dulcimer setup
The dulcimer, ready to record!








Melanie, recording in the isolation room

Michaela, recording in the big room



The session with Melanie and Michaela
Kim, recording in the isolation room

Toby, recording in the isolation room

Stephanie and Toby recording in the big room

Monday, December 9, 2024

It's time to resurrect the Red River Breeze blog!

 It's a bit embarrassing - but I haven't posted to the Red River Breeze blog since (gulp) 2012.   But a new year is almost upon us, the band is the most amazing it's ever been, and we just released our newest album, Generations.   I am also volunteering Michaela Allemand, my amazing whistle and flute player, to help make this blog something folks want to read.  So stay tuned!

As mentioned, our new album has just arrived from the manufacturer!  We will have them available at our gigs throughout this month of December and we will announce an official release concert early next year.

The band website is being totally overhauled as I write this and there will be more information here and in the website on how to purchase physical copies as well as streaming opportunities coming soon. This is the bands 6th album since it began in 1999 and we have 5 available for sale.   This newest album reflects who who are today and we are so very proud of how it turned out.   The title reflects the fact that we are a band of six musicians that span the entirety of the living generations in ages!  And yet, we are more than a band, we are a "family" as we care deeply for each other.   I honestly believe that sense of family and community can be heard in our music.  Everyone is not only an amazing musician, but we all care for each other as well and we are committed to the music we make. 

More to come.   So check back often!


Monday, July 9, 2012

How to play a "Honky Tonk" Dulcimer....!



It's summer.  And what a summer it has already turned out to be!  After an unseasonably warm winter in beautiful middle Tennessee, and a very dry spring, we are now experiencing VERY hot temps and a bona fide drought.   But summer means outside gigs.  Lots of them for this local Celtic string band!  Festivals, Civil War re-enactments, 1850's Homeplace events at Land Between the Lake events, and oh yes.... Outdoor Weddings!   Under the most usual of summer temperatures and humidity, playing a stringed wooden box - and this wooden box has 68 strings for the "outdoor" version and 91 strings on my bigger "indoor" version - it can be challenging at best trying to keep it in some semblance of "in tune" for outside gigs.   Add extreme temperatures and it gets impossible. 

So, can we say "honky tonk" dulcimer?!  You know what I mean when I say "honky tonk piano".... Think old western movies and a very out of tune saloon piano and a ham-fisted player banging an old-time tune out on it....  now think of that sound on my dulcimer!  For those who know me well, you know that I am pretty picky about at least making sure my dulcimer starts out in tune, and hopefully stays in tune with itself during the course of playing for an outside gig.  After all - my band also consists of two fiddle players (Melanie and Byron) and fiddles have four strings each - simple to retune to a hammered dulcimer that might be going flat or sharp - and a guitar player (David) with 6 strings - ditto on the retuning.  So we make every attempt to at least stay in tune with each other when playing outside in warm summer events (and the occasional cold winter event).

So, now for a quick physics lesson.... Who knew playing a very old (2000+ years) traditional instrument would require more than percussion skills, chord theory, musicality and a phenomanal ability to memorize hundreds of tradtional tunes.  It takes physics also!  Here's the issue....   Temperature AND humidity become a hammered dulcimer player's best friends AND enemies.  And adjusting for both can be very interesting.   Wood expands when humidity increases as it absorbs more moisture from the air.  This expansion causes the strings to tighten on the instrument - which causes the pitch of the strings to rise.  This tends to be a small consistent expansion so at least the instrument goes out of tune (or sharp) consistently - and stays in tune with itself.  Temperature - especially extremes (inside 72 degree house moving to outside 104 degree day) causes metal to expand, which means the strings are looser on a wooden box that may also be expanding from increasing humidity.  So looser strings means lower pitch - except the strings are different gauges, so they expand at different rates unlike the fairly consistent and slower rate of expansion to the wood in the humidity change..... And suddenly the dulcimer is going flat but NOT consistently with itself and thus we have... "Honky Tonk" Dulcimer!   Yikes.

To all of Red River Breeze's loyal fans and appreciative listeners at the outdoor gigs we have played for this HOT summer, I am extremely grateful for the nice comments you have made about our music.  Thanks for not commenting about the really "out of tune" dulcimer!  Honestly... I have tried to keep it in tune...! But 100+ degrees is as hard on hammered dulcimers as it is for the hammered dulcimer player trying to play in this extreme heat!   And for my band mates (who only have 4 or 6 strings to contend with), my appreciation also for not making faces that the audience can see when I hit THAT string that has gone really south in the 30 minutes since we started the set! 

As I write this, the heat wave has finally broken (although it is only July - August is still to come) and it is mercifully raining - a long, slow, steady, soaking rain.  Here's to getting to play melodic (in tune) hammered dulcimer tunes the next time you hear us play outside! 

-Stephanie Taylor

Thursday, February 23, 2012

The CD is here! And we are having a release party!

We finally did it!  The CD is finished and we have them in our hands!   Unlike the first two, we are not actually manufacturing this album but rather we had the CD manufactured by a real-life production company.   But, I (Stephanie) still designed the album art work (in Corel Draw - a totally new sotware package... who knew I was a wannabe graphics designer!).  And as we did with the last CD, "Morgan's Song", the photography is all David's!  The good news is, we are out of the CD production business for this album!  They are all made and ready to be shared with you!

So there was some amount of stress involved in wondering if the CD would look as good as we hoped....  It looks better than we ever dreamed!

Each recording has been a learning experience for us and this was no different.  But as pleased as we are with "Morgan's Song", we feel this CD - "The Wren at the "Window" - is even better!  With this CD, we added more instruments in several tunes that the four of us could play simultaneously!  For instance, Stephanie plays penny whistle and hammered dulcimer on several tracks, David plays guitar and djembe (African drum) on nearly all of the tracks, AND we invited a guest artist, Graham Burris, from Chicago, to play upright bass on all of the tracks.  This allowed us to be even more creative than we are in a live performance and to express our love for this music in many more flavors!  Recording, mmixing and mastering, replicating and designing an album like this is a true labor of love (and time) but now that it has arrived, we are certainly glad we went through the process again.  We hope you enjoy it as much as we did in making it!

To celebrate this CD, we are going to hold our first ever release party at The Looking Glass on March 8th from 6:00 pm until 8:00 pm or later!  We really hope all of our fans - the reason we play our music - can come out and celebreate this with us.   We will play tracks from the CD, mingle and sign CDs at your request, and just have a wonderful time with you.   It is a good idea to call the Looking Glas (931-552-6344) to reserve a table and that would help us plan for how many folks attend.  We hope to see you there!

Sunday, November 13, 2011

After the recording, what happens next?

The Attic, in Chicago.  With watchdog, Maddox!
What happens after spending months finding tunes we want to record, arranging the tunes, practicing the tunes (for many hours...), and then going into the studio to record the tunes?   Believe it or not, the process has only just begun.   Our recording engineer and David's son, Greg Magers, took all of our recorded tunes back to his studio in Chicago (The Attic) to begin work on the next phase. We will have 17 tracks on the CD - at least that's the plan! That actually worked out to 25 separate recorded sessions!

The Attic, in Chicago.  With Eleanora!
 
So far, David has made two trips to Chicago to  provide input in the editting process and to overdub some more guitar tracks and add drum (jjembe!) tracks.  We have also asked Graham Burris, Greg's assistant and bass player extraordinaire, to overdub bass tracks on our tunes to add some more color to the finished recording!   This work has been done.  What remains is for a guest recording on three tracks by Emily Magers, David's daughter and accomplished violinist/fiddler and the mixing and sequencing (another trip to Chicago by Stephanie) and the mastering. 

At that point, we will be ready to send our master to a CD manufacturing company to produce.  We have decided to not manufacture this CD ourselves as we have the previous two.  It's a lot of work to do and the commercial companies can do it faster, more professionally, and for about the same or less money!  But it does mean Stephanie is learning Coreldraw to produce the artwork for the CD packaging to submit when the master is ready!

Will we make it by Christmas?  Well... unfortunately it is looking a bit unlikely.  This process has taken more time that we expected - there have been a couple of unplanned delays and Greg's schedule has been a bit tight.  But, the silver cloud to this story is that The Looking Glass has agreed to host a CD release party for us mid to late January!  This will be our first ever release party - and based on the reviews of the editted tracks so far, this CD will be even better than our last one - so it will be more than worthy of a release party.  Stay tuned for details of the party!  Of course, as soon as the CD is produced and we have it in our hands, it will be available for sale - we have been asked a bunch of times when our next CD is coming out because folks want to buy it to add to their Red River Breeze collection!  And we absolutely appreciate and cherish the loyalty of our fans!  

Recording CD, #3 - October 11th and 12th, 2011

We recorded our third CD at 16 Ton Studios in Nashville, TN over a two day period in October 2011. This is the same studio where we recorded our second studio so it felt very familiar!  Michael Esser, the studio's engineer greeted us the first morning.  He worked with us on our second CD so his was familiar face.  He then left us in the very capable and friendly hands of his assistant, Tyler Cox.  Greg Magers, David's son, flew down from Chicago as he had done for the second CD to be our engineer.   Greg has his own very successful studio in Chicago, The Attic.

Stephanie, warming up before recording starts.
Melanie in her isolation room.
Because we are a band of four musicians, instead of the eight when we recorded our second CD in this studio, each one of us was in an isolation room this time.  That means we couldn't see each other but rather could hear each other through headphones and a box that allowed us to dial in exactly how much and how loud each of the other instruments sounded in our ears.   Playing with headphones on and without being able to read the body language of the rest of the band is definitely an added challenge to trying to record (forever!) our music.  

We recorded for 6+ hours each of the two days.   This meant recording everything at least twice to make sure we had a good take from each of the four instruments.  Stephanie also recorded some recorder and Irish whistle overdubs for several of the tunes (that means it's going to sound like Stephanie is playing hammered dulcimer and penny whistle at the same time!).


Byron, in his isolation room.

David, in his isolation area.

This is what a recorded tune looks like to the engineer!  Each instrument has it's own colored track (and the dulcimer has two!).  From this, the engineer can edit mistakes (we never made mistakes...!), mix the instruments so that one instruments doesn't - for example - overwhelm other instruments, and getting the tunes ready to be put on our CD.   But, of course that happens after the two days in the studio!  Stay tuned for the editting, mixing, mastering, producing portions of this project.   And fingers crossed we can get this done before Christmas!

Monday, August 29, 2011

We are getting ready to record again!

It's official.... We have set the date (two days in October) and location (a studio in Nashville) and we are practicing, practicing, practicing! Once we record the tracks, they will be editted and mixed by David's son, Greg Magers, at his studio in Chicago. This is how we produced our second CD, "Morgan's Song", and it seemed to work well for us. So look for the new CD in mid-November - just in time for Christmas!

Speaking of Christmas.... we debated whether this CD would be our "Christmas CD". After much thought and discussion, we decided that since we are now a band of four members - rather than the eight involved in "Morgan's Song" - we needed to do another CD of traditional tunes that reflect the four of us as a group. We have an exciting mix of Celtic, Old-Time, Renaissance, World, and three or four original tunes by band members picked to put on this recording. We have not recorded any of these tunes in either of the first two CDs (with one exception) and many of the tunes we have selected for the CD are recent additions to our repetoire so we are excited to be recording them for you!

So... maybe CD number four will be our Christmas CD. And as for the one tune we are recording again... we have decided to record "Steph's Air" again since it was recorded on our first CD, "Friday Night Favorites", and this CD is officially retired and no longer being produced or sold. "Steph's Air" seems to still be a crowd pleaser and happens to be a personal favorite of Stephanie's since se wrote it many years ago. Look for two other tunes on this CD that are original tunes by Stephanie, and even one written by David, as well as plenty of other interesting traditional tunes all played with our unique style of acoustic instrumental music.

Still to do is to decide the title of our CD, the artwork and layout of the CD packaging, and of course, practice, practice and a fair helping of panic!